With Their Eyes: September 11th, the View From a High School at Ground Zero edited by Annie Thoms

Thoms, A. (2002). With their eyes: September 11^th, the view from a high school at Ground Zero. New York: HarperTempest.

ISBN-13: 978-1-40464-285-0

Summary

Tuesday morning, September 11, 2011 began like any other day at Stuyvesant High School, a magnet school for high-achieving students four blocks from the World Trade Center in New York City. Five days into the new school year, hundreds of students watched in horror through their classroom windows as the Twin Towers burst into flames during first period. Following evacuation and relocation, English teacher Annie Thoms contacted playwright Anna Deavere Smith with an ambitious idea: create a play in which Stuyvesant students told their own stories and the stories of others in the community about their experiences that day and in the days that followed. Ten students auditioned and became the play’s actors. They interviewed fellow classmates, faculty, and staff and recorded it all on tape. Then, they transcribed the interviews, which create the monologues that make up the play. The play was performed on February 8 and 9, 2002 to standing ovations and national attention.

Critical Evaluation

With Their Eyes is a fusion of recording history and creating art. The monologues are the stories of real people and their voices. The unfinished sentences left with words like “um” and “uh” and the breaks in thought echo the jarred and jagged memories of that day for them: “It’s just that, it’s interesting, it was like,/ the, the air felt on the outside like something that you/ might smell at a,/ or feel at a barbecue,/ but it didn’t, it…it hurt you./ It hurt your windpipe” (44). Perhaps they show us that there truly are no words that can express their feelings. Each monologue paints with words the images they saw first hand and terrifyingly close. The play has two acts that follow a chronology of events. Act One is about the morning of September 11 and evacuating the school. Act Two is about the days following September 11. Frank discussions about reasons for the attacks take place, and the monologues are peppered with occasional explicit language. Again, the language is part of the reality of the people speaking. Readers will recognize how the actors placed themselves in another person’s words, just as we are encouraged to put ourselves in others’ shoes. The emotion and empathy is strong, and this play, through its linguistic art, records history. Through these words, real people told their stories and by doing so, art was created. Art endures through time. This play symbolizes that New York City, and the rest of America, will also endure.

 

Reader’s Annotation

 

Ten high school students at Stuyvesant High School, four blocks from the World Trade Center, create a play of monologues about what it was like that day and after. These words from eye-witnesses will stir emotions and ultimately remain a lasting piece of historical art.

 

Author Information

 

Annie Thoms herself graduated from Stuyvesant High School in 1993. She received her BA from Williams College and then her MA in English education from Teachers College at Columbia University. In 2000, she became an English teacher and theater advisor at Stuyvesant High School.

 

Annie Thoms currently lives in New York City with her husband and two daughters, Eleanor and Isabel. She says, “Too often, adults looking for authors that teenagers will want to read ignore one of the greatest talent pools possible: other teenagers. High school students have incredible voices and vivid, powerful stories to tell, not only in the face of national tragedy, but in the everyday sorrows and joys of their lives as well.”

 

Information about Annie Thoms was found on the Harper Collins Publishers website. http://www.harpercollins.com/authors/24990/Annie_Thoms/index.aspx

 

Genre

Young adult

Nonfiction

Drama

Curriculum Ties

9/11

Book Talking Ideas

How is history recorded? What is the significance of art?

Reading Level/ Interest Age

Appropriate for ages 14 and up

Challenge Issues

Language

Challenge Defense

If it were challenged, I would consult ALA's Strategies and Tips for Dealing with Challenges to Library  Materials.

I would also cite these reviews:

Book Links (A.L.A.) 04/01/03

School Library Journal 01/01/03

Booklist 09/01/02

Voice of Youth Advocates (V.O.Y.A.) 10/01/02

Books for the Teen Age (NYPL) 05/01/04

Wilson's Junior High School 11/01/05

Publishers Weekly 09/02/02

Wilson's Senior High School 10/30/03

Why did I include this title?

I was intrigued when I read that an English teacher, like myself, thought of this idea and was able to pull it off. You can see the people and feel the words of the monologues. I think that talking about the pain helps heal the pain; this play is an example of that.

Extremely Loud & Incredibly Close by Jonathan Safran Foer

Foer, J. (2005). Extremely loud and incredibly close. New York: Houghton Mifflin.

ISBN-13: 978-0-618-32970-0

Plot Summary

Nine-year-old Oskar Schell is an amateur inventor, tambourine player, and Shakespearean actor who is playing “Yorick” in a school presentation of Hamlet. His father, whom Oskar worshipped, tragically died in the World Trade Center on 9/11. A year later, Oskar has found a key inside of a vase in his father’s closet. The vase is labeled “Black.” The key does not open anything in the apartment, so, determined to find the lock that the key will open and the answers to his questions, Oskar sets out on a quest to ask every person in the New York phone book with the last name of Black about the key. In doing so, he meets colorful characters who each have their own story to tell and who have a lasting impression on Oskar. Oskar has a mute grandfather, who survived the bombing of Dresden, and in the end, the two stories weave together. When Oskar finally finds the answer, he finds the meaning of life.

Critical Evaluation

Extremely Loud and Incredibly Close is told in the first person narration of Oskar; he is nine, but he does not always sound like he is nine, which is reasonable given that Oskar himself is quite a unique child. The narration is often beautifully poetic and more than often quite humorous. Foer enhances the narrative with frequent surprises for the reader. For example, there are graphic illustrations, over-written text, and photographs. Booklist (February 2005) refers to Extremely Loud and Incredibly Close as “the most beautiful and heartbreaking flip book in all of literature.” The humor balances the tragedy in a healing way. The setting of post-9/11 New York City significantly shows the emotional aftermath of the terrorist attacks that affected the entire country. The gaping holes at Ground Zero are nothing compared to the gaping holes in the lives of those who lost loved ones that day. Foer’s account of a boy searching for clues about his father will appeal to anyone who has lost a loved one. The theme that “in the end, everyone loses everyone” is a reminder to all readers about the meaning of life.

 

Example of Oskar’s vivid, imaginative narration:

 

“What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.”

 

Reader’s Annotation

 

Nine-year-old Oskar has found a key in his father’s closet. His father died in 9/11, and the key does not open up anything in the apartment, so Oskar sets out on a quest to find the lock and, as a result, unlocks the truth of life.

 

Author Information

 

Jewish-American Jonathan Safran Foer was born in 1977 in Washington D.C., and earned his degree from Princeton University where he won awards for creative writing all four years. Under the guidance of Joyce Carol Oates, who was teaching a creative writing course there, he finished a manuscript for Everything is Illuminated before graduating with a degree in psychology in 1999. Oates was also his senior thesis advisor; Foer wrote about the life of his maternal grandfather, a Holocaust survivor. He later went to expand on his thesis in the Ukraine. Everything Illuminated was published in 2002.

Foer refers to himself as an occasional vegetarian as he has dabbled in vegetarianism most of his life, yet still eats meet. These notions led him to write his first nonfiction book, Eating Animals (2009). He has taught writing as a visiting professor at Yale University and is currently a professor in the Graduate Creative Writing Program at New York University. Foer lives with his wife, Nicole Krauss, and two children in the Park Slope neighborhood of Brooklyn, New York.

His very interesting website is somewhat difficult to navigate:

http://www.theprojectmuseum.com/

Genre

Cross-over

Mystery

Curriculum Ties

Holocaust, 9/11 

Book Talking Ideas

9/11, grief

Reading Level/ Interest Age

High School, adults

Challenge Issues

N/A

Challenge Defense

I cannot think of why this book would be challenged, and I did not find any challenges to date. If it were challenged, I would consult ALA's Strategies and Tips for Dealing with Challenges to Library  Materials.

I would also include that it is listed in ALA’s Outstanding Books for the College Bound Literature and Language Arts 2009

http://www.ala.org/yalsa/booklistsawards/booklists/outstandingbooks/2009/literature

Why did I include this title?

This book made me cry. At first, I couldn’t put it down. I was tearing through pages, reading as fast as I could. Then I realized that if I kept up that pace, I would finish it quickly. And I didn’t want it to end. So I slowed down. I feel guilty enjoying such a book that would not have existed had 9/11 not happened.

“I hope that one day you will have the experience of doing something you do not understand for someone you love.” (one of my favorite quotes from this novel)