Saturday, December 3, 2011

Crank by Ellen Hopkins


Hopkins, E. (2004). Crank. New York. Simon Pulse.
ISBN-13: 978-1-41699-513-5

Plot Summary

Kristina is sixteen years old, gets straight A’s, and has a comfortable home, but her life is turned upside down when she is court-ordered to leave Reno, Nevada and visit her estranged father in Albuquerque, New Mexico. She hasn’t seen him in eight years. In Albuquerque, Kristina meets Adam who introduces her to things she’s never known: love and crystal meth. She’s not Kristina anymore, though; she has left that life behind her and calls herself Bree. Bree becomes addicted to the highs she feels when held by the grips of the monster (what she calls crank, or meth) and the lust she feels for Adam. This new side of her resents and hates Kristina’s monotonous life when she returns to Reno, and she gets caught up in the downward spiral addiction creates. Two new boys enter her life, but one is bad and rapes her while the other is good and loves her. Pregnancy forces her to make a decision that changes her life. Now 17, she tries to leave the monster behind.

Critical Evaluation

The first thing the reader sees upon opening the book is how it’s written; the book is written in verse instead of prose. The free verse style is an example of poetic form following function: the arrangement of the words into lines and stanzas, changing on each page, reflect the disjointed, broken life Kristina/Bree is living. It allows for her fragmented thoughts that flow through this first-person narration. Often, the lines will create a concrete poem in which the words and lines are arranged in such a way that suggest the topic or subject of the poem. For example, the poem “Home Sweet Home” is actually shaped as a house. Another example is the poem “Paydirt!” when she discusses losing her virginity. The shape of the poem is a giant “V” and it represents what a big deal it is to Kristina. In poetry, every word is thoughtfully planned so the reader is left to focus on what is there and the result, in this case, is the complete control the monster has on Kristina. Plus, despite the ugliness of the drug, there are moments of artful word choice as in the alliteration this line creates: “I wanted to walk with the monster” (231). One purpose of alliteration is to make the words stand out and its affect here is that nothing else is as important as the drug. Also, many poems can be read more than one way with lines on two sides of the page. Perhaps this creates a confused effect, which might represent Kristina’s mind. Perhaps this represents the two sides of the character. Furthermore, referring to the drug with the metaphor of a monster gives the drug a life of its own with negative, frightening connotations. The ending is left hopeful with new life and patience, but the conflict Kristina/Bree has with the monster is not resolved.
 
Reader’s Annotation
 
Kristina has everything going for her in Reno until she visits her estranged father in Albuquerque, and everything changes. The monster has its grip on her and Kristina (or is it Bree?) struggles with this new life it has created.
 
Author Information
 
The Ellen Hopkins website’s homepage has two choices: adult and young adult. http://www.ellenhopkins.com/
 
Ellen Hopkins is a freelance writer, a poet, and an award-winning author of nonfiction books and novels in verse. Hopkins has published numerous articles about topics ranging from child abuse to winemaking. Born in Long Beach, CA on March 26, 1955, she was adopted by an older couple and grew up in Palm Springs. Her father was a self-made millionaire, and from him Hopkins learned the value of hard work. From her mother, she developed a love of reading and even began reading chapter books before kindergarten. This nurturing environment of her childhood helped Ellen Hopkins become the writer she is today.
 
Despite her comfortable upbringing, Ellen Hopkins experienced much personal hardship in her life. Two relationships ended; one in divorce and another resulted in the kidnap of her daughter for three years. Then, in 1991, she married her John Hopkins, whom she calls her forever love and best friend. They moved to northern Nevada in 1990, and it is there she began writing for a living. Crank is based loosely on her own daughter’s experience with crystal meth. The baby at the end, named “Hunter,” is her grandson Orion, born in 1996. They took guardianship of him and then adopted him when he was almost four.
 
Ellen Hopkins enjoys speaking at schools and libraries, and encourages her readers to contact her via email and blog posts. She also offers tips to help writers. Ellen Hopkins is more than happy to sign and personalize bookplates as well.

Genre

Young adult
Poetry
Alternate format
Drugs
Rape
Teen pregnancy

Curriculum Ties

Forms of poetry and figurative language

Book Talking Ideas

Different kinds of drugs, addiction, handling stress

Reading Level/ Interest Age

Appropriate for ages 14 and up

Challenge Issues

Sex, drugs, rape, sex, language, teen pregnancy

Challenge Defense


I would also cite these reviews:

Booklist 11/15/04
Publishers Weekly 11/01/04
Kirkus Review 10/01/04
School Library Journal 11/01/04
Kliatt 09/01/04
Voice of Youth Advocates (V.O.Y.A.) 02/01/05

Why did I include this title?

I read this book in a day. It exhausted me. Kristina/Bree had a hold on me like the monster had on her. It made me wonder how many people I might know who are struggling with an addiction and how it makes them change. It’s a book that will terrify you. It shows how incredibly damaging drugs are and how they can ruin your life.

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